This weekend, Hindus around the world are celebrating “Krishna Janmashtami” (the birth of Lord Krishna, an incarnate of Vishnu, Supreme Being and a deity venerated as the “Preserver” in Hindu Trinity (“Trimurti”) that includes Brahma (Creator) and Shiva (Destroyer).
Krishna was born during a period of chaos in the region around present day Mathura (Uttar Pradesh in India) where freedom was curtailed and people were being persecuted for their belief. The ruler of the land, Krishna’s maternal uncle had been warned by a soothsayer that his nephew would slay him. So, he jailed his sister and her husband, Krishna’s parents, with instructions that their baby was to be slaughtered at birth. However, Gods and nature conspired to create the environment for baby Krishna to be spirited out of prison by his father and delivered to foster parents, in whose loving care he grew up.
Krishna the incarnate’s role-plays are embellished through many stories and “bhajans” (religious songs). Krishna’s multifaceted personality includes being depicted as a dark and very good-looking person with a serene visage that belied his playful nature, a true friend, wise counsellor and statesman, lover of animals and people all of whom would fall into a trance when he played his divine flute.
A mischievous and playful child, he would frequently steal fresh butter churned by his foster mother but when accosted, would lie that the other kids were jealous and therefore blamed him, even as his foster mother lovingly saw through his act. As a young cowherd, Krishna was the heartthrob of all the “gopis” (cowgirls) and his antics about teasing them are legendary. He would break their “matkis” (clay pots) as they returned homewards, fetching water or, hide their clothes as they bathed in the local river. The cowgirls loved the attention he bestowed on the selected ones, although he loved only one of them. All this is said to have taken place in a different age, over 3,000 years BCE (Before the Common Era).
I recall the many times my mother admonished us if we scolded our very young kids when they indulged in horse play around her living room. She would gently say, “Krishna kanhayya apni leela hi toh dikhaa rahen hain” (Lord Krishna is merely showing his “play”). Do not use negative language to correct the child.” Her logic was that if we used a “negative” approach it could lead to adverse results. So, instead of saying, “Don’t do this” a better option might be, “Should we try this (a different approach) now?” She would tell us that each of us goes through life trying to live up to an image that we create for ourselves, or based on others’ perception of us. “When you keep reinforcing the message “he/she is a good child” instead of “he/she is naughty or quite a character” the child will start to act out the part assigned to her/him. Call a child a brat and that’s who they’ll turn into.” Our kids (and their children now) have turned out fine (at least this far), so there might be some truth in what she used to say to us.
I end with a poem titled Krishna Kanhayya composed by the eminent Urdu poet Hafeez Jalandhari, famous for composing Pakistan’s National Anthem in 1952. He was born in Jalandhar (India) but moved to Lahore (Pakistan) after The Partition in 1947. The poem came to my attention a few years ago through an article published in Pakistan’s leading newspaper The Dawn by a student and writer of South Asian history, Nikhil Mandalaparthy. Wonder how such a syncretic composition on a Hindu deity by a Muslim poet might be viewed today!
Only a few select verses from the rather lengthy poem are reproduced below, together with a feeble attempt at translation:
Ai dekhne wālo is husn ko dekho is raaz ko samjho |
O onlookers, gaze upon this beauty try and understand this mystery |
… yeh paikar-e-tanvīr yeh Krishan kī tasvīr |
… This embodiment of light (that is) the image of Krishna. |
… duniyā se nirālā yeh bāñsurī wālā gokul kā gwālā |
Not of this world this flute player this cowherd of Gokul (historic town) |
… hairān hooñ kyā hai ik shān-e-ḳhudā hai |
I am perplexed by what he is He is the Majesty of God |
… but-ḳhāne ke andar ḳhud husn kā but-gar but ban gayā ā kar |
Inside the temple Himself the sculptor of elegance has come (to reside) as the idol |
… woh gopiyoñ ke sāth hāthoñ meiñ diye hāth raqsāñ huā Brijnāth |
Together with the gopis placing his hand in theirs the Lord of Braj (Gokul/Mathura) is dancing |
… bansī meiñ jo lay hai nasha hai na mai hai kuchh aur hī shai hai |
The melody that flows from his flute is neither intoxication nor wine but something beyond (such objects) |
… ai hind ke rājā ik bār phir ā jā dukh dard miTā jā |
O’ king of India, come just once more Destroy our suffering and pain |
… tū āye to shāan āye tū āye to jāan āye |
If you come, glory will come if you come, life will come |
… āanāa na akele hoñ sāth woh mele sakhiyoñ ke jhamele |
Don’t come alone let the festivals also come, accompanied by (flirtatious) bickering with female-friends … |